
“Death, destruction, and decay.” Not exactly words associated with fashion, unless one happens to be standing in line for a Marc Jacobs show. But this morbid platter is exactly what curator Valerie Steele promises in the exhibition catalog for “
Gothic: Dark Glamour.”

“This is the first museum exhibition devoted to the gothic style in fashion,” Steele writes. It presents more than 75 sinister looks from designers as diverse as Anne Demeulemeester and Yohji Yamamoto.
She displays them astutely over tableaux ranging from ruined castle to mad scientist’s lab in the unassuming, but state-of-the-art basement museum at the Fashion Institute of Technology.

But who, precisely, is wearing this stuff? The local mall turns up plenty of Goths (check out the teens loitering in the black nail polish section of any Hot Topic store), but
Urban Dictionary defines this subculture as: “Morbid, wearing black clothes almost all of the time, and wearing makeup regardless of sex.” This teen demo is not exactly a group known to don Alexander McQueen originals, but that’s the beauty of Steele’s show: it gives these kids a chance to dream. And maybe even pull themselves up by their Doc Maarten bootstraps and off their gloomy road to fashion hell.

Entering the exhibit is like stepping onto the set of Tim Burton’s Beetlejuice. A ghostly pirate ship hovers in the distance and a wrought iron fence pointed with fleur de lis displays fashion behind bars. This show’s real triumph is its unexpectedness. On closer inspection,
Thierry Mugler’s fur neckline is revealed as ‘faux monkey fur.” Hot fashion house Rodarte – the sister act of Kate and Laura Mulleavy – play with the gothic trope of skulls, burying theirs in delicate, red Spanish lace turning out their fiery Senorita perfectly for the Day of the Dead.

Karl Lagerfeld spins a spider web from feathers and beads while fashion’s
enfant terrible Hussein Chalayan fashions a cape from carpet fibers. Goth is where you find it. Alexander McQueen (who claims ancestry dating back to a woman burned at Salem) here concocts her coming out dress: a black shell practically supported by its enormous, off-kilter cross that’s well on its way to inversion.
There are more big names like Chanel and Dior, and a vitrine that rheostats from clear glass to mirrored, showcasing more emerging designers. This reflective cabinet of curiosities is a brilliant touch. And a nice place to touch up your black eyeliner.
"Gothic: Dark Glamour" is free and runs through Feb. 21. An exhibit called "Seduction" joins it on Dec. 9. And if you're still smarting from that Marc Jacobs read in the lede, start primping now. Jacobs is sponsoring "Model as Muse" at the Met. This Costume Institute retrospective starts with Dovima and ends with Giselle. It also kicks off with the Met's annual gala on May 4 and Jacobs is hosting, along with Anna, Kate and Justin. Yes,
that Justin.